Van Gogh’s yellow: more than just a color

Color is reflected light, and among all colors, few are as significant as yellow for Vincent van Gogh, who explored its possibilities during his stay in Arles, in the south of France (1888-1889). It was there that he painted the series of “Sunflowers,” five canvases depicting the flowers in a vase. For the artist, who had left behind the darkness of his early period in the Netherlands, the complexity of this hue moved him deeply and led him to associate it with the brilliance of the sun. What it meant to him and his colleagues, and how it served as a symbol of modernity and independence in the literature and fashion of the late 19th and early 20th centuries, are the questions that the exhibition “Yellow: Beyond Van Gogh’s Color,” at the Van Gogh Museum in Amsterdam, seeks to answer until May 17.

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